Conversant, too?

The occasional ramblings of a Columbus, Ohio poet.

My Photo
Name:
Location: Columbus, Ohio, United States

Rose M. Smith is a shy, quiet poet who's lived most of her life in Columbus, Ohio--a conversational voice heavily informed by human situations and emotion. Voted "poet most unlike herself at the mic," she has been known to silence an unruly room when her poems begin to speak. Her work has appeared in Chiron Review, The Iconoclast, Good Foot, Pavement Saw, Concrete Wolf, Boston Literary Magazine, The Examined Life, Main Street Rag, and The Pedestal Magazine, and other journals and anthologies. Rose reads throughout the midwest--she'll make a jaunt cross country if she's needed (you pay for it). She has been called "a quiet visionary spanning the worlds of performance poetry and literary print! challenging and enriching the norms of both. She is an associate editor at Pudding House Publications and author of Shooting the Strays (Pavement Saw Press, 2003) and A Woman You Know (Pudding House Publications, 2005) and is featured in the Poets' Greatest Hits collection now managed bt Kattywampus Press. Rose is a Cave Canem Fellow.

Sunday, July 10, 2005

Frying in Nats Heat

(Note to visitors as you find my blog: I am allowing this post to stay on top for some time as we prepare for NPS 2005.)

National Poetry Slam. Why do some of us put ourselves through it?

Days of poetry and poetry events. Putting our hard wrought lines of words to the test of everyday listeners--some poets, some officionados of the art, others who just happened in and wondered what the crowd was doing. We travel halfway (and sometimes more) across the country, knowing we might get to read six minutes of poetry in actual mainstream competition if we're normal, nine minutes if we're lucky, and twelve if the heavens actually open--if we get to finals--and that I can't describe. If our poems are most useful to a cohesive team. If we have the right words to offer a listening audience at that moment. The moment of truth. The moment an emcee asks, Team Columbus, who you sendin' up? Or some other strange question meant only for crazies.

This is slam, and the energy and electricity are unmatched in any other literary activity of which I've ever been a part. There is a rich, exciting taste of words in the air, the heightened sense of 70 mile per hour criticism as your words fly by. As minds unaccustomed to poetry in performance become nets, looking for that big one... the one they totally get... the one that hits a familiar chord they'd forgotten how to play but still wanted to.

I suppose I can keep loving this. The getting ready. The qualifications. The contest of teams. Pushing my poetry beyond traditional limits. The challenge of getting a message through in spite of all the distractions. The belief that what you have to say is needed, and valid. Believing in your own found truth enough to stand and pronounce it to anyone and know, even if the scores absolutely suck, you've served your own truth well.

There is an energy here that is addicting. It's not about the game, or about winning, or about individual accomplishment. It's about the sharing of our poetically charged selves, meeting to extend a common voice to whatever world will listen, touching other lives, one poem at a time, instantly.

Yes. I suppose I can keep doing this. I just need to get to Albuquerque. Hundred degree weather and up to 80 teams of poets. I just have to learn not to sweat.

2 Comments:

Blogger Tom said...

I once entered a poetry competition. I'm glad I didn't win because I was awful.

4:02 PM  
Blogger Rose said...

Hi, Tom. Don't realize every thought shared is valid? How could you have been awful? There are no awful poets. There are only unprepared poets.

12:02 AM  

Post a Comment

<< Home