Conversant, too?

The occasional ramblings of a Columbus, Ohio poet.

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Location: Columbus, Ohio, United States

Rose M. Smith is a shy, quiet poet who's lived most of her life in Columbus, Ohio--a conversational voice heavily informed by human situations and emotion. Voted "poet most unlike herself at the mic," she has been known to silence an unruly room when her poems begin to speak. Her work has appeared in Chiron Review, The Iconoclast, Good Foot, Pavement Saw, Concrete Wolf, Boston Literary Magazine, The Examined Life, Main Street Rag, and The Pedestal Magazine, and other journals and anthologies. Rose reads throughout the midwest--she'll make a jaunt cross country if she's needed (you pay for it). She has been called "a quiet visionary spanning the worlds of performance poetry and literary print! challenging and enriching the norms of both. She is an associate editor at Pudding House Publications and author of Shooting the Strays (Pavement Saw Press, 2003) and A Woman You Know (Pudding House Publications, 2005) and is featured in the Poets' Greatest Hits collection now managed bt Kattywampus Press. Rose is a Cave Canem Fellow.

Sunday, November 06, 2005

A Lazy Day, a Look Back

Sometimes I feel like I have to visit this page just to prove I'm still alive. There is not always something significant to say about the art, the business, the craft.

Went to the Ursula Rucker event at Brown Stone last Tuesday. Packed house. Standing room only. Long night. Ed had open mic, a short slam, Middle Child AND Ursula Rucker on a week night when things started late. Lots of folks got tired. Those who stuck around for Ursula at the end witnessed the performance endeavors of an artist unique in her presentation and obviously dedicated to the causes of women and children. Her accompaniment was genuinely gifted. I wish she had commanded a better balance between her voice and the guitar, which nearly overwhelmed her voice at times.

Middle Child: Great goodness! Every time I hear this artist's work, I love it more. Truly a unique voice and style.

Unusual method of holding a slam, too, but I didn't jump in. Took a night to sit back and just enjoy the many voices around me. What an art we are all involved in--opening our hearts and minds for others to scrutinze and approve (or not). Anyone who thinks poets are not brave should jump into a slam sometime. It will teach them a new definition for breathing.

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